Shot entirely on analog film and printed by hand through a fully manual darkroom processes, the work explores the body, movement, form, and abstraction as emotional and perceptual states. The photographs function as visual meditations — fragments of time suspended between memory, sensation, and presence.
Rather than operating as documentary, the images construct a poetic archive of lived experience, tracing subtle transitions between intimacy and distance, person and place, stillness and motion. The book forms a retrospective of the artist’s first five years of practice in the photographic medium.